

Pashupatinath Temple, Kathmandu.
Pashupatinath is a Hindu temple straddling the Bagmati river. It is the most sacred temple of Shiva, the destroyer god, in all of Nepal, and the most widely used cremation site. Priests, royals, political officials, and members of every (theoretically banished) caste may have their funerals here on the famous ghats, stone platforms where pyres of sandalwood are allowed to dye out completely before the combined ashes of the dead and the wood are swept into the river.
In the picture on top a priest adds kindling and brush to the pyre of a woman whose funeral rites her four sons performed a few minutes before. Families here prepare the bodies themselves - wrap them, unwrap them, carry them, arrange them, bless them, and set the crematory fire. The first son of this elderly woman put a burning shaft of wood to her mouth, before leading his brothers in prayers, all walking clockwise, three times around the ghat, before the priest took over to do nothing else but tend the flames.
The white building in the second picture is the temple hospice. Here the dying watch the pyres which will soon consume their own bodies, from above the river into which their own ashes will be imminently swept. And on the steps alongside the ghats families come with ceremonial flowers and incense on the anniversary of the death of a relative. They fast for the day and splash water from the river on their faces because it's considered holy.
It's not just that people here are comfortable with the idea of death, because of an esoteric religious belief in reincarnation and karma or what the secular might think of as a cross-your-fingers hope they are soon to be united with the divine. They literally physically handle it, touch it, and live undisturbed breathing its dust. I can't help thinking of the contrast with my American experience - we have put so many layers of plastic between ourselves and death that to even see a corpse is for many nauseating, shocking, or terrifying. Both my and many of my classmates' reactions this past September, when we first cut into our cadavers in gross anatomy, attest to this. Death for us is about hospitals, professionals, morphine, breathing-machines, antiseptics, and law-suits. Death is on television. Death is control. Death is not lighting your mother's body on fire.
I couldn't go into the temple itself because I'm not Hindu, and I couldn't exactly sneak in. Like most days I was the only white person in sight, wandering among mourners, dreadlocked sadhus, priests, mala-vendors and monkeys. It's once place where hiding your map hoping you don't look like a tourist is like standing behind a chainlink fence hoping you are invisible. Which is nice, because everyone wants to help you, direct you, and tell you about this amazing ancient sacred place you've come to visit.